Joel Chandler Harris
From Dixiepedia: The PC-Free Encyclopedia
Joel Chandler Harris (8 December 1848 - 3 July 1908) was the author of Tales of Uncle Remus, which served as the inspiration for Walt Disney's 1946 film, Song of the South.
Well in advance of the twentieth-century development of folklore studies and cultural anthropology as academic disciplines, Harris gathered the dialect tales he had heard in his childhood told by slaves. He placed them within a narrative context that made them available to a large White audience, sharpening the effects of their regional details and the age-old wisdom by which slaves secretly outwit their masters. Through his work with the Uncle Remus tales, he would introduce Americans to the basic patterns and rhythms of Southern Black. Because of Harris' accomplishments, American mainstrean literature featured a memorable new character - Uncle Remus - as well as a new literary tradition.
The way had been hard for Harris as a child in Georgia. His day-laborer father deserted his mother just before his birth. Helped by the local people of Putnam County, mother and child made do until young Harris went to work for a newspaper at 14 years of age. Harris soon contributed humorous pieces to several Georgia papers, and he quickly gained a reputation in the newspaper world. In 1876 he joined the Atlanta Constitution in the city that became his permanent home. During this period, Harris divided his time between editorial writing (urging Southerners to "reconstruct" their habits and to rise above the conflicts of their past) and the dialect tales, which began to appear in print under the guise of Uncle Remus, the old slave.
His first collection of folk poems and proverbs was published in 1881 as Uncle Remus: His Songs and Sayings. Further collections included Nights with Uncle Remus (1883), Uncle Remus and His Friends (1892), and Uncle Remus and the Little Boy (1905). As the titles suggest, relationships are important; they develop between the wide-eyed audience (likened to a little White boy from the main plantation household) and the narrator who acts as "best friend," whiling away the hours with a seemingly endless supply of tales. The lasting impression of the Remus stories on readers of all ages and from many countries (there were translations into twenty-seven languages) stems from the force of their slave lore.
Harris insisted that his sources were genuine and that his documentation of the plot and dialect was accurate. In this way, Uncle Remus goes back in time to African models, as well as to the animal tales of Aesop and Chaucer. Harris helped inspire other writers in the vernacular through his adroit use of narrative forms, his excellent ear for the subtleties of dialect, and his ability to emphasize the universal nature of these classic standoffs between the weak and the powerful.
